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Adham Shaikh
essence

electronica
Shaikh's music is a blend of many different styles and techniques, fusion, dub, world beat, tech house, ambient, and jazz. Growing up listening to Indian ragas & classical western music he developed an ear for a fusion of sounds from around the world.

Al Beeler Keepin' the Old Cowboy Music Alive

 

 

 

 

 

 

Al was born on a farm near Ridgeville in southern Manitoba, Canada. At 8 years of age he started singing and yodeling Wilf Carter tunes. He learned from listening to old 78’s on a crank gramophone. A year later his dad bought him a guitar for two bucks! During his younger years he played at local community events and dances. Al’s love of music and horses has always been with him.

Al took a 40 year “coffee break” from performing, and in the fall of 1996 he fulfilled a life long dream. He met Shirley Field and joined her for a concert at the O’Keefe Ranch, near Vernon BC, and following that concert he toured with Shirley for a year. He rekindled his interest in performing the old “Cowboy Music” and you can catch Al at various Cowboy Festivals throughout Western Canada.

Alan Miceli
the spaces between

Released: 2002
Producer: Jordy Sharp
Recorded: Salt Spring Island
An instrumental album of original songs played on steel string and classical guitar.

Alan Moberg Home & Dry

Released: 2001
Producers: Dan Rudick
Label: Meadow Mountain Music
Recorded at: Jack 'n Lefty's, Salt Spring Island

 

 

 

 

 

 

Home and Dry, the latest CD by singer/songwriter Alan Moberg , was released January 2002. A superb collection of 16 songs, the vision for this project has been "The man, his guitar and the song". Other instrumentation has been added sparingly to enhance the original renditions without altering their simplicity and integrity. This CD has truly been a Salt Spring production. Local musicians Bob Delion, Charlie Erck, Dan Rudick, Garry Macpherson, Jeannine Munn, and Terry Warbey all contribute their skills to this album. Valdy sings harmony on the song that bears his name ("Song for Valdy") and Bill Henderson (Chilliwack) appears on three songs. Bill expressed interest in playing on this CD after hearing Alan perform at the Salt Spring Fall Fair. The only non-resident musician on the album is Daniel Lapp, a close neighbour on Vancouver Island. All the recording and mixing was done "on island" by Dan Rudick and Jeannine Munn (aka Jack N Lefty) and the beautiful CD cover was painted by local artist Jill Louise Campbell.

The Musicians
Guitar - Alan Moberg
Violin - Daniel Lapp
Guitar - Bill Henderson
Guitar - Dan Rudick
Guitar -  Garry Macpherson
Bass - Bob Delion
Mandolin - Jeannine Munn
Harmonica - Dan Rudick
Dulcimer - Terry Warbey
Dobro - Charlie Erck
Harmony Vocals - Alan Moberg
                            - Valdy
                           - Bill Henderson
Spirit of Fulford Valley vocal 
                           -Jeannine Munn

Allen Dobb Bottomland

Released: 2002
Label: Skipping Stone Music / Pacific Music
Producers: Blair Calibaba / Allen Dobb

The path leading to Victoria-based musician, Allen Dobb's latest CD, Bottomland (Skipping Stone/Pacific Music), has been a long and varied series of adventures. His quest has led Dobb from his youth in rural Alberta farm country, to several years in southern Africa using his agriculture degree from Washington State University and another land management stint on an Apache reservation in Arizona, to singer-songwriter showcases on stages of roots music hotbeds in Austin and Nashville. Dobb has documented his path of eclectic experiences with several recordings including a pair of CDs with his brother Cameron as Dobb and Dumela and 1998's Horses and Hills (Resource/Festival), his acclaimed solo debut.

Andrew Riggs
Axiology

Jazz and Blues influenced original Guitar Rock, including three Blues, two of which are covers - "Broke Down Engine" by Blind Willie McTell and "Trouble in Mind" by R.M. Jones. 53 minutes of music, 14 tracks, 12 with vocals, 2 instrumentals.

The band is called AXIOLOGY, same as the CD title. We perform music from the CD as well as covers of Blues, Jazz-Rock and some non-commercial classic rock. Improvisation is an important element of the bands performing style. Current band members are Danny Suen - Drums, Don Connolly - Bass, Albert Stasiulis - Keyboards, Andrew Riggs - Vocals and Lead/Rhythm guitars.

My guitar playing has been influenced by many of the rock guitarists from the 1960's and 70's - Santana, Clapton, Steve Howe(Yes), Hendrix, Allman Bros., Andy Powell(Wishbone Ash), Jeff Beck and numerous others, as well as players from the jazz and blues genres. However, I don't attempt to imitate anybody. I consider myself to be a musician first and songwriter second, the songs I write partly to challenge myself as a musician. The Jazz-Rock song "Opportunity" is the one on the CD that I consider the most challenging because of its multiple key changes. I try to find musical ideas that have not, (or at least have not often) been explored, within the rock genre. ...Andrew Riggs

I'm English born, my parents moved to Montreal when I was about 2 years old, then we moved to Powell River B.C. when I was ten. I started playing guitar when I was 14, bought my first electric guitar(the telecaster) when I was in grade twelve with money earned from working weekends in the local paper mill. I start jamming with other musicians when I was about 18 or 19, but I didn't have a steady band.

I moved to Calgary myself when I was 20, where I've lived ever since.

For the next 6 or 7 years I played and sang with three "power trio" type bands covering material by Cream, Hendrix, Doors, Allman Bros., Lynyrd Skynyrd etc. We had occasional community hall gigs and played at parties.

I've never had an interest in playing "Top 40" type music, and my bands have always been weekend, part time groups.

About the same time as moving to Calgary I started to write songs, most of the early songwriting attempts will never, I hope, see the light of day, although I also started doing recordings about this time, and still have all my material on tape. None of the original material was added to my bands repertoire at the time, by my choice.

What I consider to be my current, mature writing style didn't start to gel until I was about 28. About this time I formed an original music band with another songwriter/guitarist. We played occasionally in some local bars that featured original music but these generally featured "alternative" type bands, we didn't really fit in that well.

Keeping drummers was a major problem, we'd rehearse until we were ready to play gigs, do a few, then the drummer would quit. The music wasn't simple so it would take a number of months rehearsing, one or two nights a week to get a drummer up to speed.

The other songwriter was a prolific lyricist, but a marginal musician, I have a surplus of musical ideas but am slow producing lyrics. This might seem an almost ideal situation, but the other songwriter felt that any of my music that didn't have lyrics was free for him to use without my permission and without requiring him to give me credit for it. This issue brought that musical partnership to an end.

It was never my ambition to become a "solo artist" I wanted to be part of a band; sharing songwriting, vocals etc. I'm uncomfortable with the term "artist", it sounds pretentious to me, but I'm getting more used to the idea as time goes on.

The CD "Axiology" was released in the fall of 1998, the recordings on it were done over a period of about 4 years prior to that.

My guitar playing has been influenced by many of the rock guitarists from the 1960's and 70's-Santana, Clapton, Steve Howe(Yes), Hendrix, Allman Bros., Andy Powell(Wishbone Ash), Jeff Beck and numerous others, as well as players from the jazz and blues genres. However, I don't attempt to imitate anybody. I consider myself to be a musician first and songwriter second, the songs I write partly to challenge myself as a musician.

I didn't start writing songs until I'd been playing about 6 or 7 years. The Jazz-Rock song "Opportunity" is the one on the CD that I consider the most challenging because of its multiple key changes. I try to find musical ideas that have not, (or at least have not often) been explored, within the rock genre.

Andrew Schmidt Movin' On

Andy Ruszel 'grass

a classic debut album by island songwriter Andy Ruszel

"bluegrass, reggae and other musical traditions blend to make this original cd one of the finer musical products to come from Vancouver Island. One of my all-time favorite songcrafters"
Ric Lafontaine
Cd Isle

Banjo Jim Erkiletian The Stoneman Tape

A rare recording of Willie Thrasher and Banjo Jim.
Jim's like an Arlo or a Woody Guthrie. A travellin' minstrel who writes and sings songs the way he sees it. A storyteller.

 

Bill Johnson Blues Band, The LIVE

 

 

 

 

 

 

 

 

Bill Johnson is on the move with his 2nd cd release " The Bill Johnson Blues Band 'LIVE' ".

His first cd "Why I Sing the Blues", is a collaboration between Bill and top US and Canadian poets.
Debuting to sold out shows in Vancouver and Victoria, Bill is beginning to be seen by a wider audience.

When the first version of his band debuted, Victoria's Times-Colonist dubbed him "Victoria's Guitar Flame Thrower" after his performance at the International Jazz Festival. The title has stuck even though Johnson's style has matured. While his contemporaries have pursued FM rock's version of the blues, Bill's style is more that of yesteryear, citing his influences as Chuck Berry, Muddy Waters, T-Bone Walker, Eric Clapton, and BB King.

Previously Bill Johnson has been heard with Vancouver Island's Auntie Kate on her debut CD, and then again on a collaborative blues CD featuring Bill. In 1998 Bill teamed up with Grammy Award Winning Texas Bluesman Don Johnson for the CD "Donald Ray". Songs from that CD are currently play-listed on cable's Galaxy Networks blues channels, and on CBC radio, as well as some US stations.

Bill is very proud of his band. Featuring the multi-talented Gary Preston on harp, piano, and voice, Rick Erickson on acoustic/electric bass, and Paul Nixon on drums. The versatility of this band is amazing and sure to please blues fans everywhere.