Harry Manx
2003 Maple Blues
Award Winner:
Best Acoustic Act!

about Harry Manx

A personal approach
to the blues

By Derek Duffy
Reprinted from the Gulf Islands Driftwood

When Harry Manx performed at Talons Restaurant it was unlike any event that I have attended to date on Saltspring Island. It wasn't that the event itself was anything out of the ordinary but after just five minutes in the packed dining room it was clear that the audience was about to be privy to something very special.

For those who have neither heard nor seen Harry Manx perform, I would urge you to see this extremely talented and dedicated blues man before he takes off on a tour of Australia where he will be playing the festival circuit along with the likes of Taj Mahal and Ben Harper. Manx is no newcomer on the scene, it's just that he has only recently graced the west coast with his unique brand of blues. Up till now he has been around the globe, most recently studying and performing in India with Vishwa Mohan Bhatt.

From the first note Manx had the audience at Talons in the palm of his hand, playing some very fine slide to blues songs that were both old or original. It didn't matter. The treatment he gave them was completely new but showed that he had been a fine student of the masters while not emulating any of them.

Manx' approach to the genre of blues is a personal approach, the likes of which I have not heard since a young John Lee Hooker hit the scene some 60 years ago. I seriously did not think that there could be anything left to squeeze out of a music that has had so many interpreters but Manx brought a whole new meaning to it.

A fine stylist, Manx has a rapport that is confident and comfortable with not a sign of the inflated ego that can affect some performers. He started the night playing slide guitar and went on to give some stellar performances with the six-string banjo and the Mohan Veena, an Indian guitar-sitar.

Manx explained the way in which the Veena was played, demonstrating with obvious delight the intricate sound produced when the top strings reflected harmonically with the numerous sympathetic strings. I don't pretend to understand the workings of the Veena but I can say the sound was heavenly, adding an ethereal quality to the concert.

The sound was superbly mixed and supplied by Jordie Sharp of Acoustic Planet.

thanks to SaltSpring Music


Harry Manx
Dog My Cat

cover has blue background, not as shown

RARE original release (before all the reprints)


Harry Manx was born on the Isle of Man but moved to Canada as a child. In the late 70s he returned to Europe where he worked festivals as a blues lap-slide guitarist and songwriter. Then it was on to Japan, where he lived and performed for 10 years.

While there, Manx came across a recording of an Indian slide-guitarist named V.M Bhatt. He contacted Bhatt and made arrangements to join him in India. For the next five years, Manx studied under Bhatt and travelled and performed with him.

Manx moved to Salt Spring Island in the spring of 2000 and in the summer recorded Dog My Cat, 14 tracks of Manx doing his one-man-band sound on the lap slide guitar, a sitar-guitar cross called a Mohan Veena, blues harp and vocals.

His songs are short stories that use the essence of blues and the depth of Indian ragas to draw you in. Manx captivates his audience wherever he performs, not only because he is an accomplished and skilled musician, but because he has a disarming stage presence and a self-deprecating sense of humour and quickly establishes a rapport with his listeners.

The Canadian Independent Music Awards honours Dog My Cat with the 2002 award for Best Blues Album of the Year!